I was impatient with this cat painting. I had skipped middle tones, painted details too soon and made a fussy mess. Feeling frustrated, I remembered a series of demos an instructor had given years ago. He used to take a big brush and obliterate all details in a chosen student's painting... He did it to demonstrate the virtues of correct values and big shapes. At the time, it seemed both traumatic and offensive. I realize now it made a lasting and worthwhile impression. So, I took out my big girl brush and started "simplifying." ... Can't say I'm thrilled with the final painting, satisfied yes, definitely. (:
Actually, this one is very intriguing. The light on the ears is perfect. I like the softness of the painting.
ReplyDeleteWow, Diane, I love this kitty!!! And your previous one as well. Wonderful.
ReplyDeleteWhat a great lesson for me and so well written Diane. I can see a Northern Lights book in your future.
ReplyDeleteLove it! the fur looks so soft..very realistic and a beautiful painting.
ReplyDeleteI like this one, very low light cat, lovely silhouette. Those of us who own cats know we step over shadows on the floor just in case... Nice.
ReplyDeleteIt works! And the cat looking away adds a layer of mystery. The paws look so soft, I want to touch them. Makes me want to paint my own cat!
ReplyDeleteBefore I read your post on this one, I was thinking how much I liked the simple and blended look of it. It totally works!
ReplyDeleteBefore I read your post on this one, I was thinking how much I liked the simple and blended look of it. It totally works!
ReplyDeleteThis is really beautiful and you most certainly seem to have captured the essential "cat" essence.
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